Thursday 20 October 2011

Is reality becoming more real? The rise and rise of UGC

Sara Mills explores the rise of the citizen journalist and considers the impact of user-generated content on news stories, the news agenda, and the role of the professionals



Examples
Theory
Wider issues and debates
Benefits to audience
Benefits to institution
SHEP (social, Historical, Economically, Political content)

Once, it was all quite simple…the big institutions created the news and broadcast it to a variously passive and receptive audience. Now new technologies mean that the audience are no longer passive receivers of news. The audience have become ‘users’ and the users have become publishers. Audiences now create their own content. We are in the era of user generated content (UGC) where the old divide between institution and audience is being eroded.

Key to this change has been the development of new technologies such as video phones and the growth of the internet and user-dominated sites. Both who makes the news and what makes the news have been radically altered by this growth of media technologies and the rise of the ‘citizen journalist’.
We first felt the effects of the new technologies way back in 1991. Video cameras had become more common and more people could afford them…unfortunately for four Los Angeles police officers! Having caught Rodney King, an African-American, after a high speed chase, the officers surrounded him, tasered him and beat him with clubs. The event was filmed by an onlooker from his apartment window. The home-video footage made prime-time news and became an international media sensation, and a focus for complaints about police racism towards African-Americans. Four officers were charged with assault and use of excessive force, but in 1992 they were acquitted of the charges. This acquittal, in the face of the video footage which clearly showed the beatings, sparked huge civil unrest. There were six days of riots, 53 people died, and around 4000 people were injured. The costs of the damage, looting and clear-up came in at up to a billion dollars. If George Holliday hadn’t been looking out of his apartment window and made a grab for his video camera at the time Rodney King was apprehended, none of this would have happened. King’s beating would be just another hidden incident with no consequences. The film footage can be still be viewed. Try looking on YouTube under ‘What started the LA riots.’ But be warned – it makes for very uncomfortable viewing, and even today, it is easy to see why this minute and half of blurry, poor-quality film had such a huge impact.
This was one of the first examples of the news being generated by ‘ordinary people,’ now commonly known as ‘citizen journalists’, ‘grassroots journalists’, or even ‘accidental journalists’. As technology improved over the years, incidents of this kind have become more and more common. Millions of people have constant access to filming capability through their mobiles, and footage can be uploaded and rapidly distributed on the internet. The power to make and break news has moved beyond the traditional news institutions.

It is not only in providing footage for the news that citizen journalists have come to the forefront. UGC now plays a huge role in many aspects of the media. Most news organisations include formats for participation: message boards, chat rooms, Q&A, polls, have your says, and blogs with comments enabled. Social media sites are also built around UGC as seen in the four biggest social networking sites: Bebo, MySpace, YouTube and Facebook. People also turn to UGC sites to access news: Wikipedia news, Google news and YouTube score highly in terms of where people go to get their news.
The natural disaster of the Asian Tsunami on December 26th 2004 was another turning point for UGC. Much of the early footage of events was provided from citizen journalists, or ‘accidental journalists,’ providing on-the-spot witness accounts of events as they unfolded. Tourists who would otherwise have been happily filming holiday moments were suddenly recording one of the worst natural disasters in recent times. In addition, in the days after the disaster, social networking sites provided witness accounts for a world-wide audience, helped survivors and family members get in touch and acted as a forum all those involved to share their experiences.

A second terrible event, the London bombings on July 5th 2005, provided another opportunity for citizen journalists to influence the mainstream news agenda. No one was closer to events than those caught up in the bombings, and the footage they provided from their mobile phones was raw and uncompromising. This first-hand view, rather than professionally shot footage from behind police lines, is often more hard-hitting and emotive. An audience used to relatively unmediated reality through the prevalence of reality TV can now see similarly unmediated footage on the news.

The desire for everyone to tell their own story and have their own moment of fame may explain the huge popularity of Facebook, MySpace and other such sites. It also had a more negative outcome in the package of writings, photos and video footage that 23-year-old Seung-Hui Cho, an undergraduate at Virginia Tech, mailed into NBC News. Between his first attack, when he shot two people, he sent the package from a local post office, before going on to kill a further 30 people. In his so-called ‘manifesto’ Cho showed his paranoia and obsession, likening himself to Jesus Christ. The reporting of the terrible events at Virginia Tech that day was also affected by citizen journalism, and the footage that student Jamal Albarghouti shot on his mobile phone video camera. Rather than concentrate on saving his own life, he recorded events from his position lying on the ground near the firing. The footage, available on YouTube and CNN brought events home to a worldwide audience. We now expect passers by, witnesses, or even victims, to whip out their camera phones and record events, an instinct almost as powerful as that to save their own or others’ lives. Perhaps the news now seems old-fashioned and somehow staged if it lacks the raw, grainy low-quality footage provided by citizen journalists.
Twitter and flickr came to the forefront during the Mumbai bombings in India in late November 2008. As bombs exploded across the city, the world’s media got up-to date with events through reports on Twitter and Flickr. There were questions raised, however, that by broadcasting their tweets, people may have been putting their own and others’ lives at risk.

It was on Twitter again that the story of the Hudson River plane crash on January 15th 2009 was broken to the world. With a dramatic picture of a plane half sinking in the river, and passengers crowded on the wing awaiting rescue Janis Krun tweeted:
There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy.
The picture is still available on Twitpic, under ‘Janis Krun’s tweet.’ While national news organisations quickly swung into action, it was the citizen journalist, empowered by social networking sites, that first broke the story.

So who’s keeping the gate?

Are the gatekeepers still fulfilling their old function of deciding what is and isn’t news, and what will and won’t be broadcast? In some ways, yes. You can send in as much UGC to the major news organisations as you want, with no guarantee that any of it will ever be aired. In fact, last year a BBC spokesperson reported that a large proportion of photos sent in to the news unit were of kittens. While this may represent the interest of the audience, or users, it still doesn’t turn the fact that your kitten is really cute into ‘news.’

The way around the gatekeepers is with the independent media on the web. The blogosphere, for example, provides an opportunity for independent, often minority and niche views and news to reach a wide audience. In fact uniting disparate people in ‘micro-communities’ is one of the web’s greatest abilities. How else would all those ice fans communicate without the ‘Ice Chewers Bulletin Board?’ And the only place for those who like to see pictures of dogs in bee costumes is, of course, ‘Beedogs.com: the premier online repository for pictures of dogs in bee costumes.’
On a more serious note, the change in the landscape of the news means that groups who had little access to self-representation before, such as youth groups, low income groups, and various minority groups may, through citizen journalism, begin to find that they too have a voice.

What about the professionals?

Do journalists fear for their jobs now everyone is producing content? It is likely that in future there will be fewer and fewer permanent trained staff at news organisations, leaving a smaller core staff who will manage and process UGC from citizen journalists, sometimes known as ‘crowd sourcing.’ Some believe that the mediators and moderators might eventually disappear too, leaving a world where the media is, finally, unmediated. This does raise concerns however. Without moderation sites could be overrun by bigots or fools, by those who shout loudest, and those who have little else to do but make posts The risk of being dominated by defamatory or racist or other hate-fuelled content raises questions about unmoderated content: ‘free speech’ is great as long as you agree with what everybody is saying!
If there will be fewer jobs for trained journalists, will there also be less profit for the big institutions? This seems unlikely. Although how to ‘monetarise’ UGChow to make money for both the generator and the host of the content – is still being debated, bigger institutions have been buying up social networking sites for the last few years. Rather than launch their own challenge, they simply buy the site. Flickr is now owned by Yahoo!, YouTube was bought by Google, Microsoft invested in Facebook, and News Corp., owned by Murdoch, bought MySpace.

There is a whole new world out there. With it comes new responsibility. There is enormous potential to expand our view of the world and our understanding of what is happening. Our collective knowledge, and wisdom, should grow. On the other hand, in twenty years time, the news could be overrun by pictures of people’s kittens and a few bigots shouting across message boards at each other.
Sara Mills teaches Media Studies at Helston Community College, Cornwall, and is an AQA examiner.
This article first appeared in MediaMagazine 30, December 2009.


Questions
  1. What is meant by the term ‘citizen journalist’?
The term citizen journalist refers to the members of the public who collect news and report it to the media.
  1. What was one of the first examples of news being generated by ‘ordinary people’?
One of the first examples of news being generated by ordinary people is when Roodney King was recorded when getting apprehended and beaten by the three policemen.

  1. List some of the formats for participation that are now offered by news organisations.
  •  message boards
  • chat rooms
  • Q&A Polls
.
  1. What is one of the main differences between professionally shot footage and that taken first-hand (UGC)?
The main differences between professionally footage and first-hand footage are that the first hand footage is taken without any camera skills; it is more likely to be low quality however this gives a sense of realism. Whereas, the professionally footage is more likely to be mediated and edited before viewing.
  1. What is a gatekeeper?
A Gatekeeper is who mediates and moderates a media source.

  1. What is one of the primary concerns held by journalists over the rise of UGC?

There will be fewer professionally journalist due to the rise of UGC.

Tuesday 20 September 2011

The show demonstrates tricks, scams and proposition bets performed on members of the public by presenters to avoid scams done by the hustlers. In addition, the aim is to reveal how scams work so that the viewer can avoid being ripped off by the same con.
Media Representations
There are three presenters/hustlers in this show, each have their own roles and talents to run scams.

Paul Wilson – The con Artist

Paul Wilson is known as ‘the con artist’, he is the specialist in con games, scams and cheating. He represents the advanced highly developed criminals.

Jesscia clement- sexy swindler
Jessica clement known as the ‘Sexy swindler’, represents the females who use their feminity / beauty as an advantage to scam people.




Alex Coran- confident trickster
Alex Coran known as ‘the confident trickster’ represents the magician who uses their tricks to cheat and scam people.




Media languages and forms
Firstly, there is variety of type of media languages and forms are used in this programme to appeal to their target audience and to meet their needs. For example:
Visual techniques- During the scam the camera will be fitted inside and outside in different positions and angles (high, low, mid...etc) to get the ‘Marks’ facial expressions and gesture, this could interprets to the audience on how they feel and what they thinking, whether they are falling for the scam or confused. Furthermore, the quality of the scenes during the scam is very low comparing to the ones they use at the beginning of the show; this gives a sense of realism to the show. Hence, the camera angle goes back and forth to get different views of the detailed. In addition, there’s often a close up of the ‘Mark’ to see their reaction and if they believe it or not.
Narrator- There is a voiceover from the beginning to the end. The male voiceover states and explains in details on what the hustlers are about to do and what they did, this avoid confusion because as mentioned before the camera filmed for the scam scenes are low quality. The voiceover will help the audience understand the narrative bit more. Hence the voiceover plays a bit part in this programme as the hustlers don’t really guide/ direct the audience on what they doing.
Images and iconography celebrities are used in this show as part of the hustlers the team. They help out during scam and after the scam they report mentioning how they felt about the scam and it shocks them. Furthermore, the victim/Marks inform the audience after the scam about how they felt about the scam. This will make the audience feel the same way as the victim do and will make more aware of the situations.
Mise-en-scene the hustlers often wear casual clothing to blend in with the public/crowd. In addition they also dress formal if they acting as a professionals to make them look more trustworthy and officially.
Soundtrackduring the action of the scam, the music is usually very energetic to make the audience feel the atmosphere. However, the energetic music soon changes to slow sentimental music when the ‘Mark’ realises he/she been scammed this creates sympathy to the ‘Mark’ and makes the audience feel as if they were the ‘Mark’.


Narrative
‘the Real Hustle’ show  is usually structured, this is good as it covers every segment of the show, In each show they include a celebrity helping the hustler with the scam. Furthermore, there’s always a big scam including just the hustlers which starts of at first and then gets continued after as it got two parts to. In between the parts they include ‘proposition bet’ which is simple bets done by the hustlers and they demonstrate the solution at the end; it’s simple and easy which lets the audience can learn and teach others. This part of the show often engages the audience.
In addition as mentioned before after the scams the ‘Marks’ talks about what happened and how much they got scammed ,this makes the audience identify themselves as they could be one of them. Moreover, each show starts off with a intro stating what’s featured in the show and stating that the marks are scammed for real and they money gets returned back.




Genre
‘the Real Hustle’ is a reality show containing content of crime & justices and factual information’s. The generic theme for this show is more like documentary; it contains all the documentary media forms and languages which give realism to the show.
Media institutions
‘the Real Hustle’ broadcasts on ‘BBC three’ at 8.30pm every Mondays for 30 Minutes. It is also available on ‘BBC Iplayer’. BBC is a public service institution, their main aim is to entertain, educate and inform the audience. The show educates the scams and how they are done to the audience, they inform them by asking the ‘Marks’ to talk about their experience and they entertain the audience by showing  the ‘Marks’ by foolishness. BBC is owned by ‘The Crown’ and funded by John Reith and George Villiers.
Media Values and Ideology

Males- males were represented dominant as there are more male presenters than female in this show. This conveys that males are good at this job; however, there are also more male victims in this show this may also present the males as weak, dumb and stupid.

Females- unlike males, there’s only one female presenter and she been often guided by the fellow male presenters or either helping them with the scams. In addition, jess is portrayed as an object to attract the male victims. Furthermore, she is often acted for the secretary role. Overall females are represented subordinate in this show.

Media Audiences
The audience for this show is most likely to be the general public, as anyone could get scammed however they more likely to belong to BC1C2 socio- demographics as they are they belong to high-middle class and the DE socio-demographics would be the real hustlers.
Reviews
Newspaper article